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Tham’s
brushstrokes became even more carefree and fluent in the
90’s. Slowly abandoning unnecessary details, transforming
complicated ideas into effortless lines, Siew Inn’s search
for new expression has led his evolution of lines into the
next level. Using plentiful water and fascinating colors,
he’s unleashing the full potential of watercolor. After
finished his 2nd solo exhibition, Siew Inn incorporated new
medium – Acrylic into his artworks. Executing his
brushstroke with thick layer of acrylics, complementing the
translucent watercolor, he moved towards mix media.
Meanwhile, Tham’s search for new expression has led his
evolution of lines into waving forms.
90年代譚氏的畫作，在用筆上更為大膽且純熟。漸漸將多余的寫實元素拋棄，棄繁從簡，將畫意推向更高的層次。這一時期的畫作充分發揮水彩的特色，水分充足飽滿的用筆及鮮艷亮丽的用色，令人嘆服。譚氏于94年舉辦國內第二次個人畫展之后，進而向新的媒介壓克力顏料嘗試。在這期间里，他除了在实验壓克力顏料厚重的画法之外，也開始了對線條的摸索，嘗試將心里的景象，轉換為波動的線條。
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